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Seite 99
The Hong Kong Film Syndrome a The1980s were not in fact the first period of interaction between the film industries in ... Although the fascination with Hong Kong films in Korea persisted throughout the early 1970s , due mostly to the ...
The Hong Kong Film Syndrome a The1980s were not in fact the first period of interaction between the film industries in ... Although the fascination with Hong Kong films in Korea persisted throughout the early 1970s , due mostly to the ...
Seite 100
modern gangster / cop films often called “ Hong Kong Noir , " or costume martial arts films embellished with wired actions and fascinating editing techniques . Films such as The Killer ( dir . John Woo , 1989 ) , Casino Raiders ( dir .
modern gangster / cop films often called “ Hong Kong Noir , " or costume martial arts films embellished with wired actions and fascinating editing techniques . Films such as The Killer ( dir . John Woo , 1989 ) , Casino Raiders ( dir .
Seite 102
The Hong Kong genre films took the greatest advantage of this VCR boom . Unfortunately , official statistics regarding the video rental records of those films are not available . However , feasible factors attest that more Hong Kong ...
The Hong Kong genre films took the greatest advantage of this VCR boom . Unfortunately , official statistics regarding the video rental records of those films are not available . However , feasible factors attest that more Hong Kong ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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