Discourse, Band 28,Ausgaben 2-32006 |
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Seite 18
... Deleuze's Living Cinema pre- If Derrida's experience of making and seeing films allowed him to refigure life and death as otherwise than as a philosopheme , Gilles Deleuze's two volume study Cinema begins by analyzing cinema as a living ...
... Deleuze's Living Cinema pre- If Derrida's experience of making and seeing films allowed him to refigure life and death as otherwise than as a philosopheme , Gilles Deleuze's two volume study Cinema begins by analyzing cinema as a living ...
Seite 19
... Deleuze will use to define the basic formal char- acteristics of cinema such as the shot and camera movement . Although set theory applies to sets composed of any elements what- ever , Deleuze introduces it with a rhetoric that suggests ...
... Deleuze will use to define the basic formal char- acteristics of cinema such as the shot and camera movement . Although set theory applies to sets composed of any elements what- ever , Deleuze introduces it with a rhetoric that suggests ...
Seite 21
... Deleuze treats both types of composition as living , the former biologically and the lat- ter as the inorganic life of things , matter , and forces.34 As the first volume goes on , the vocabulary of life multiplies in his descriptions ...
... Deleuze treats both types of composition as living , the former biologically and the lat- ter as the inorganic life of things , matter , and forces.34 As the first volume goes on , the vocabulary of life multiplies in his descriptions ...
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York