The Figure in the Landscape: Poetry, Painting, and Gardening During the Eighteenth CenturyJohns Hopkins University Press, 1976 - 271 Seiten |
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Seite 12
... seen , but a perpetual Spring ... where are Arbours to shadow ... from the heats of con- cupiscence ; flowerie beds to repose in , with heavenly contemplations ; Mounts to ascend to , with the study of Perfections ; where are ... the ...
... seen , but a perpetual Spring ... where are Arbours to shadow ... from the heats of con- cupiscence ; flowerie beds to repose in , with heavenly contemplations ; Mounts to ascend to , with the study of Perfections ; where are ... the ...
Seite 110
... seen , the Seasons lead , in sprightly dance Harmonious knit , the rosy - fingered Hours , -and this conventional visual hint ( doesn't ' High - seen ' even suggest some ceiling decoration ? ) is readily absorbed by Kent into his ...
... seen , the Seasons lead , in sprightly dance Harmonious knit , the rosy - fingered Hours , -and this conventional visual hint ( doesn't ' High - seen ' even suggest some ceiling decoration ? ) is readily absorbed by Kent into his ...
Seite 115
... seen to be closely related to particular spots in his park , and they ' vary ' as he strays . The poetry follows him down the valley , its syntax forcing us to attend to the various elements of this part of the landscape ( ' woods ...
... seen to be closely related to particular spots in his park , and they ' vary ' as he strays . The poetry follows him down the valley , its syntax forcing us to attend to the various elements of this part of the landscape ( ' woods ...
Inhalt
Green Thoughts | 1 |
The Old Hieroglyphic Landscape | 9 |
Landschips Such Wilde Workes | 15 |
Urheberrecht | |
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actual allows appear associations attention bard beauty becomes British Brown called century contemplation Correspondence delight described discussed drawing effects emblem English Engraving Essay example experience explore expressive fancy Fields figures formal forms genius Gray Gray's grotto ground groves habits hermit hermitage hill House human ideas images imagination involvement Italy John land landscape garden language later less lines literary London look means melancholy mental mind mountains muse natural o'er objects offered painting Park passage perhaps picturesque plate poem poet poet's poetic poetry Pope Pope's prospect rise rock scene scenery Seasons seat seems seen sense shades shapes Spring Stowe structure sublime suggest taste Temple Thomas Thomson thought tion traditional trees variety various villa vision visitors visual walk whole wild woods