The Lives of the Most Eminent British Painters and Sculptors, Band 2J. & J. Harper, 1831 |
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Seite 19
... kind of appropriation which saves time and invention , and can give little fame . With better taste he painted the Trial of Susanna , a work which he loved long after to talk of and describe . From Philadelphia , after painting the ...
... kind of appropriation which saves time and invention , and can give little fame . With better taste he painted the Trial of Susanna , a work which he loved long after to talk of and describe . From Philadelphia , after painting the ...
Seite 21
... kind of savage ; and , accordingly , were curious to watch him . They wished to try what effect the Apollo , the Venus , and the works of Raphael would have upon him , and " thirty of the most magnificent equipages in the capital of ...
... kind of savage ; and , accordingly , were curious to watch him . They wished to try what effect the Apollo , the Venus , and the works of Raphael would have upon him , and " thirty of the most magnificent equipages in the capital of ...
Seite 28
... kind . Burke also was in- dulgent ; but our artist conceived there was an air of mystery about his demeanour . West at once re- cognised him as the brother of the chief of the Be- nedictine monks at Parma . The works which West ...
... kind . Burke also was in- dulgent ; but our artist conceived there was an air of mystery about his demeanour . West at once re- cognised him as the brother of the chief of the Be- nedictine monks at Parma . The works which West ...
Seite 29
... kind and obedient , and their fireside had repose and peace . Dr. Drummond , the Archbishop of York , a digni- fied and liberal prelate , and an admirer of painting , invited West to his table , conversed with him on the influence of ...
... kind and obedient , and their fireside had repose and peace . Dr. Drummond , the Archbishop of York , a digni- fied and liberal prelate , and an admirer of painting , invited West to his table , conversed with him on the influence of ...
Seite 50
... kind and tender companion - died on the 6th of December , 1817 , and West , seventy - nine years old , felt that he was soon to follow . His wife and he had loved each other some sixty years --had seen their children's children - and ...
... kind and tender companion - died on the 6th of December , 1817 , and West , seventy - nine years old , felt that he was soon to follow . His wife and he had loved each other some sixty years --had seen their children's children - and ...
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Häufige Begriffe und Wortgruppen
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King knew labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Beliebte Passagen
Seite 72 - Barry, that the arms with which the ill dispositions of the world are to be combated, and the qualities by which it is to be reconciled to us, and we reconciled to it, are moderation, gentleness, a little indulgence to others, and a great deal of distrust of ourselves ; which are not qualities of a mean spirit, as some may possibly think them ; but virtues of a great and noble kind, and such as dignify our nature, as much as they contribute to our repose and fortune; for nothing can be so unworthy...
Seite 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Seite 232 - In painting, he contented himself with negative colour, and as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramanti and his successors, he concentrated, suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Seite 137 - but not before last night. I was walking alone in my garden, there was great stillness among the branches and flowers, and more than common sweetness in the air ; I heard a low and pleasant sound, and knew not whence it came.
Seite 34 - When it was understood," said the artist, "that T intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion; they both came to my house to dissuade me from running so great a risk. Reynolds began a very ingenious and elegant dissertation on the state of the public taste in this country, and the danger which every innovation incurred of contempt and ridicule, and concluded by urging...
Seite 144 - How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements?
Seite 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...
Seite 143 - Belvidere, and all the grand works of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The Artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern Heroes, on a smaller scale.
Seite 231 - A beggar rose from his hand the patriarch of poverty ; the hump of his dwarf is impressed with dignity ; his women are moulds of generation ; his infants teem with the man ; his men are a race of giants. This is the
Seite 102 - ... the meaner sort of painters, who counterfeit only such faces as are set before them, and the more excellent, who, having no law but wit, bestow that in colours upon you which is fittest for the eye to see...