Essays on the Intersection of Music and Architecture
"Essays on the Intersection of Music and Architecture" is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture Music Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance. The book includes illustrations, author biographies, and an index.
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Interactions between Music and Architecture in the Work of Iannis Xenakis
Linear Sequences in Music and Space
Sounding the Structures of the City
Architecture as Instrument Instrument as Architecture
Musical Design in 18thcentury Chinese Architecture
acoustic aesthetic Altar of Heaven Appleyard architect architectural space architecture and music artistic aspects auditory aural Beijing Besseler building Chinese composer composition concert hall Corbusier create creative cultural Dance Notation developed Diagram elements Emperor Qianlong enclosure environment erhu essay example Experience Music Project façade Figure fusion Galia Hanoch-Roe Gehry graphic scores guitar Halprin huangzhong Iannis Xenakis idea inspired interpretation jazz John Cage landmark landscape Lawrence Halprin Le Corbusier linear sequences listening Lynch mbira measurement Mikesch Muecke modal jazz Modulor movement Murray Schafer music and architecture music school musical instruments musicians notational system notes notion perception Philip Thiel piece pitch polyphony Press Queen Street recording resonance Rhythm Studio rhythmic Ryerson University sage-king scoring system sense sensory sonic sound and space soundscape spatial stave Steven Holl strings structures Sven Sterken symbols temporal Toronto traditional translation University visual York Zhang zither Zither Rhythm Studio