Touching PhotographsUniversity of Chicago Press, 18 апр. 2012 г. - Всего страниц: 328 Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history. |
Содержание
| 1 | |
1 It Is Not Going to Be Easy to Look into Their Eyes Privilege of Perception in Let Us Now Praise Famous Men | 21 |
2 Roland Barthess Mistaken Identification | 51 |
3 From One Dark Shore to the Other The Epiphany of the Image in Hugo von Hofmannsthal and W G Sebald | 71 |
4 Putting Down Photographic Roots in Harlem James VanDerZee | 101 |
5 Looking through Their Eyes Photographic Empowerment | 131 |
6 Five Stories of 911 | 161 |
Bad Pictures | 225 |
Notes | 235 |
| 263 | |
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11 Photo Project accessed March 2011 Agee Agee's American archive artist Austerlitz Barthes's Beaton Born into Brothels Cambridge Camera Lucida Camille Billops caption Center Chandos's Chicago Culture Dead discourse display documentary Dodson Duarte edition empowerment essay Evans's example exhibition eyes face film flyers funeral gaze graphs Ground Zero Gudger Hamburger Hamburger's Harlem Book History Hofmannsthal's Holocaust Hugo von Hofmannsthal Ibid identify identity images James VanDerZee Kurdish Letter of Lord living look Lord Chandos Magnum Photographers Margaret Olin memory Michael modernist Museum narrative narrator Owen Dodson perhaps photographic practices portrait Praise Famous punctum reader relation relationship responsibility Roland Barthes sense September 11 September 11 Photo social Sontag story studio subjects Susan Meiselas Susan Sontag tape tenants theory tion tographs touch tourist trans University Press VanDerZee's viewer vision visual W. G. Sebald Walker Evans water beetle Winter Garden Photograph writing York
