Taking Popular Music Seriously: Selected EssaysAshgate Publishing, Ltd., 01.01.2007 - 343 Seiten The selected essays include: 'Youth and Music', 'Afterthoughts', 'Playing with Real Feeling - Making Sense of Jazz in Britain', 'The Discourse of World Music', 'Pop Music', 'Why Do Songs Have Words', 'Adam Smith and Music' and 'Music and Identity'. |
Inhalt
I | 1 |
II | 31 |
III | 41 |
IV | 59 |
V | 65 |
VI | 77 |
VII | 93 |
VIII | 119 |
XI | 167 |
XII | 183 |
XIII | 197 |
XIV | 209 |
XV | 239 |
XVI | 257 |
XVII | 275 |
XVIII | 293 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic American argument articulate artistic audience authentic bad music Beatles blues Bob Dylan Britain British classical music commercial concept consumers conventions country music dance defined disco effect Elvis Presley emotional entertainment example experience expression fans feelings film folk music genres girls groups hear HEARING SECRET HARMONIES identity ideology important interesting involved jazz leisure listeners live London male mass music means Melody Maker music industry musicians op.cit particular performance play pleasure political pop music pop songs popular culture popular music problem production programmes punk question radio realism record companies record industry reflected rhythm rock criticism rock music rock'n'roll rock's sense sexual Simon Frith singers singing social sociological sort sound stars studies style sub-cultural suburban suggests tape taste teenage teenybop television Tin Pan Alley tradition University Press voice words working-class world music youth culture
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Understanding Society through Popular Music Joe Kotarba,Phillip Vannini Keine Leseprobe verfügbar - 2008 |