Discourse, Bände 1-4Indiana University Press, 1979 |
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... pleasure , and in that article you call for the destruction of visual pleasure as a radical weapon . How do you account , then , for the visually luxurious images and the lush colors which permit your film to work on that level of ...
... pleasure , and in that article you call for the destruction of visual pleasure as a radical weapon . How do you account , then , for the visually luxurious images and the lush colors which permit your film to work on that level of ...
Seite 70
... pleasure is not the effect of " savings , " of an increase of potential due to " the ellipsis of the psychical ... pleasure ( economic hypothesis ) ? Can it not be supposed that the pleasure we derive from Witz comes from the opposite of ...
... pleasure is not the effect of " savings , " of an increase of potential due to " the ellipsis of the psychical ... pleasure ( economic hypothesis ) ? Can it not be supposed that the pleasure we derive from Witz comes from the opposite of ...
Seite 74
... pleasure ( ... ) The technique which is characteristic of jokes and peculiar to them , however , consists in their procedure for safeguarding the use of these methods of providing pleasure against the objections raised by criticism ...
... pleasure ( ... ) The technique which is characteristic of jokes and peculiar to them , however , consists in their procedure for safeguarding the use of these methods of providing pleasure against the objections raised by criticism ...
Inhalt
Editorial D611 3 | |
The Order of Cinematographic Discourse 39 | |
Jürgen Habermas and the 59 | |
Urheberrecht | |
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aesthetic analysis articulation Barthes becomes Bellour castration child Christian Metz cinema cognitive concept construction critical critique denotation desire detective dialectic diegesis discourse estrangement fact fantasy female feminine feminism feminist fetishism film filmic filmmakers Foucault Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary interpretation issues Jacques Lacan kind knowledge Lacan language Laura Mulvey linguistic literary literature look male Marx Marxist material meaning Melanie Mitch mother myth narrative notion novel object Oedipal Oedipus Complex Paraguay penis penis envy Penthesilea phallus philosophy pleasure political position possible practices problem produced psychoanalysis question rationality realm relation relationship representation represents Riddles Roland Barthes Schroeter science fiction sense sexual shot social society specific spectator sphinx structure Superman Suvin Syberberg's symbolic theory things tion tradition Ulrike Ottinger unconscious Werner Schroeter Witz woman women Women Film