Turkish German Cinema in the New Millennium: Sites, Sounds, and ScreensSabine Hake, Barbara Mennel Berghahn Books, 15.10.2012 - 251 Seiten Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore. |
Inhalt
1 | |
17 | |
19 | |
Chapter 2 | 32 |
Chapter 3 | 44 |
FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART | 57 |
Chapter 4 | 59 |
Chapter 5 | 72 |
Chapter 10 | 136 |
Chapter 11 | 149 |
Chapter 12 | 161 |
AUTHORSHIP IDENTITY AND BEYOND | 173 |
Chapter 13 | 175 |
Chapter 14 | 186 |
Chapter 15 | 198 |
Notes on Contributors | 213 |
Chapter 6 | 84 |
Chapter 7 | 96 |
Chapter 8 | 109 |
STARS THEATERS AND RECEPTION | 121 |
Chapter 9 | 123 |
Andere Ausgaben - Alle anzeigen
Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens Sabine Hake,Barbara Mennel Eingeschränkte Leseprobe - 2012 |
Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens Sabine Hake,Barbara Mennel Keine Leseprobe verfügbar - 2014 |
Häufige Begriffe und Wortgruppen
actors aesthetic Akın Akın’s films Aladag Arslan’s Ataman audience Bademsoy’s Berlin Birol Ünel Black Sea body Cahit camera Can’s characters contemporary context cosmopolitanism critical depicts diasporic diegetic discourse discussion documentary DVD capture Edge of Heaven essay ethnic masculinities Europe European Evet Fatih Akın’s film’s filmic gaze gender genre German Turks Germany’s global Göktürk Greek guestworkers Hamburg Hayat Head-On headscarf hybridity immigrants installation integration interzone Istanbul Kazım Kazım Koyuncu Kekilli Koyuncu Küba Kurdish Kurtulus Lena Mennel migrants multicultural Muslim narrative Neukölln newspapers political popular production protagonists relationship representation role romcom scene screen sexual Short Sharp Shock shot Sibel Sibel Kekilli Simon soccer social song Soul Kitchen space spectators stereotypes stories Tatort television transformation transnational Turkey Turkey’s Turkish German cinema Turkish German film Turkish German filmmakers Turkish press Turks Umay Ünel viewers visual wedding wedding films women Yagmur Zinos