Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 73Gale Research Company, 1984 |
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Seite 26
... opening the play with an amusing portrayal of the courtly lover . If this man is the ruler of the country of this play , then we need not anticipate tragedy or politics . We are ready for a romantic comedy . Shakespeare's frivolous opening ...
... opening the play with an amusing portrayal of the courtly lover . If this man is the ruler of the country of this play , then we need not anticipate tragedy or politics . We are ready for a romantic comedy . Shakespeare's frivolous opening ...
Seite 187
... opening of Shakespeare's Richard III . ( Arnold 8 ) A brief look at Seneca reveals the precursor to both the Chorus in Henry V and Richard's opening " confession " : I syster of the Thunderer , ( for now that name alone Remaynes to me ) ...
... opening of Shakespeare's Richard III . ( Arnold 8 ) A brief look at Seneca reveals the precursor to both the Chorus in Henry V and Richard's opening " confession " : I syster of the Thunderer , ( for now that name alone Remaynes to me ) ...
Seite 344
... opening scene , which began by reiterating the polarity between Self and Other , Roman and Goth , moves swiftly through a series of events that emphasize instead the slippery margins between these axes . Titus , after bemoaning the loss ...
... opening scene , which began by reiterating the polarity between Self and Other , Roman and Goth , moves swiftly through a series of events that emphasize instead the slippery margins between these axes . Titus , after bemoaning the loss ...
Inhalt
Shakespeares Tragic Families | 95 |
The Family in Shakespearean History and Romance | 123 |
Further Reading | 147 |
Urheberrecht | |
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