Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 73Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 92
Seite 129
... identity through the male line of succession . In these tempest plays , the patriarchal stress on lineage is softened , but not really changed ; the daughter instead of the son carries on the father's line . But whereas the history ...
... identity through the male line of succession . In these tempest plays , the patriarchal stress on lineage is softened , but not really changed ; the daughter instead of the son carries on the father's line . But whereas the history ...
Seite 130
... identity formation : identification with one perceived as being the same as oneself , which is distinct from object choice , love for someone distinct from and outside the self , predicated on an already formed ego . Identification is ...
... identity formation : identification with one perceived as being the same as oneself , which is distinct from object choice , love for someone distinct from and outside the self , predicated on an already formed ego . Identification is ...
Seite 139
... identity is based entirely on his role as father , and his family is never united or complete . The Shakespearean ... identity , see his Identity : Youth and Crisis ( New York : W. W. Norton , 1964 ) , 22-23 , 50 , 159-60 and passim ...
... identity is based entirely on his role as father , and his family is never united or complete . The Shakespearean ... identity , see his Identity : Youth and Crisis ( New York : W. W. Norton , 1964 ) , 22-23 , 50 , 159-60 and passim ...
Inhalt
Shakespeares Tragic Families | 95 |
The Family in Shakespearean History and Romance | 123 |
Further Reading | 147 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron action actors Alarbus argues audience Bassianus becomes body brother Cambridge characters chard child Chiron Cloten comedy context Coppélia Cordelia Coriolanus critics cultural curse Cymbeline Cymbeline's daughter dead death Demetrius drama early modern Elizabethan ence England English father film Goths Guiderius Hamlet hand Henry Henry VI human Iachimo identity Imogen Julie Taymor Juliet kill King Lear kneeling Lavinia Lear's Leontes London Lucius Marcus Margaret ment moral mother murder Ovid parental blessing performance Pericles play's plot political Posthumus Prince protagonist Queen racial rape relationship Renaissance revenge rhetoric Richard ritual role Roman Rome Romeo and Juliet sacrifice Saturninus says scene sense sexual Shake Shakespeare Shakespeare's play sons speare's speech stage story suggests symbolic Tamora Taymor theater thee theme thou tion Titus Andronicus Titus's tradition tragedy Twelfth Night Univ University Press violence William Shakespeare Winter's Tale women words York