Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 73Gale Research Company, 1984 |
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Seite 240
... Goths take off for the upper stage just as the Andronicus boys help Bassianus bear Lavinia away through the other door . Having just been at the centre of a triumphal procession , Titus suddenly finds himself alone on stage with the ...
... Goths take off for the upper stage just as the Andronicus boys help Bassianus bear Lavinia away through the other door . Having just been at the centre of a triumphal procession , Titus suddenly finds himself alone on stage with the ...
Seite 242
... Goths will come to his defence . It is clear from the ensuing dialogue that Lucius and Marcus move at this point to the dominating above space . . . . Where Saturninus went aloft with the ' evil ' Goths in the first act , Lucius escapes ...
... Goths will come to his defence . It is clear from the ensuing dialogue that Lucius and Marcus move at this point to the dominating above space . . . . Where Saturninus went aloft with the ' evil ' Goths in the first act , Lucius escapes ...
Seite 262
... Goths as well as Moors as barbaric , uncivilized , and racially other . For many in Shake- speare's original audience the image of the Goths oscil- lated between one of bold warriors and one of " wanton wast [ ers ] of a noble ...
... Goths as well as Moors as barbaric , uncivilized , and racially other . For many in Shake- speare's original audience the image of the Goths oscil- lated between one of bold warriors and one of " wanton wast [ ers ] of a noble ...
Inhalt
Shakespeares Tragic Families | 95 |
The Family in Shakespearean History and Romance | 123 |
Further Reading | 147 |
Urheberrecht | |
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