A Contradiction Still: Representations of Women in the Poetry of Alexander PopeThis book offers a stimulating critique of the views concerning gender and gender roles expressed or implied in Pope’s poetry. Christa Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a detailed discussion of Pope’s poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. An attentive close-reading of the poetry reveals Pope's conflicting attitudes towards women and explains them as a product of his difficulties with a society that was experiencing rapid political and cultural change. His contradictory views of femininity are examined in contrast to his self-appointed role as an artist who exercised the prerogative of criticizing the taste of contemporary readers. Knellwolf shows him to be torn between mourning the loss of an old order and fighting for a place in the new social hierarchy. She identifies this conflict with contemporary struggles over the definition of identity and gender, and thus makes a strong case for the reappraisal of Pope’s poetry in the context of gender politics. |
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Seite 53
The central part of de Lauretis's claim is ' to enact the contradiction ' , in which she uses a particular understanding of performance , basically derived from speech - act theory . In the context of working in the field of cinema ...
The central part of de Lauretis's claim is ' to enact the contradiction ' , in which she uses a particular understanding of performance , basically derived from speech - act theory . In the context of working in the field of cinema ...
Seite 176
a Although this passage discusses the atomic theory of the material world and does not deal with the issue of human relations , it is still illuminating for a contextualised understanding of the bizarre attractions at work on Belinda's ...
a Although this passage discusses the atomic theory of the material world and does not deal with the issue of human relations , it is still illuminating for a contextualised understanding of the bizarre attractions at work on Belinda's ...
Seite 199
11 This is not the point to elaborate further on Newton's theory of attraction . I only allude to it briefly to illustrate how strongly theories of matter influence social theories in the eighteenth century and to point out that these ...
11 This is not the point to elaborate further on Newton's theory of attraction . I only allude to it briefly to illustrate how strongly theories of matter influence social theories in the eighteenth century and to point out that these ...
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Inhalt
Womens situation in the earlymodern period | 39 |
3 | 66 |
4 | 83 |
Urheberrecht | |
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A Contradiction Still: Representations of Women in the Poetry of Alexander Pope Christa Knellwolf,Christa Knellwolf King Eingeschränkte Leseprobe - 1998 |
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Abelard active analysis appears argues argument artistic aspects attack attempt attitude becomes Belinda body Cambridge central century character claim close complex concerning conclude contained contemporary context contradiction conventional creativity Criticism culture demonstrates describes detailed discussion Dunciad effect eighteenth eighteenth-century Eloisa Essay example existence experience expression fact female femininity figure force gender historical human idea imagination implies important instance intellectual interest interpretation John kind knowledge language Lock logical London look male meaning metaphor mind moral nature object observe origin Oxford particular passage person physical poem poem's poet poetry political Pope Pope's position possessing possibility presents produces question Rape readers reason recognise reference relation representation represented rhetorical role satire says sense sexual shows social society spirit structure suggests theory tion understanding University Press violence voice woman women writing