A Contradiction Still: Representations of Women in the Poetry of Alexander PopeThis book offers a stimulating critique of the views concerning gender and gender roles expressed or implied in Pope’s poetry. Christa Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a detailed discussion of Pope’s poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. An attentive close-reading of the poetry reveals Pope's conflicting attitudes towards women and explains them as a product of his difficulties with a society that was experiencing rapid political and cultural change. His contradictory views of femininity are examined in contrast to his self-appointed role as an artist who exercised the prerogative of criticizing the taste of contemporary readers. Knellwolf shows him to be torn between mourning the loss of an old order and fighting for a place in the new social hierarchy. She identifies this conflict with contemporary struggles over the definition of identity and gender, and thus makes a strong case for the reappraisal of Pope’s poetry in the context of gender politics. |
Im Buch
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Seite 5
The subject of aesthetic merit is intrinsically connected to his views of femininity , and not only because the world that he represents is chiefly inhabited by female characters . Abstract considerations of representation are discussed ...
The subject of aesthetic merit is intrinsically connected to his views of femininity , and not only because the world that he represents is chiefly inhabited by female characters . Abstract considerations of representation are discussed ...
Seite 16
... that : ' sensibility did not represent new modes of expression for women , nor was it fully available to them . ... educated and insisted that society should recognise their acuity.12 Such women represented a minute percentage of ...
... that : ' sensibility did not represent new modes of expression for women , nor was it fully available to them . ... educated and insisted that society should recognise their acuity.12 Such women represented a minute percentage of ...
Seite 206
... as much as possible : having here drawn as vile a picture , as could be represented in the colours of Epic poesy . ... while the idea that Scriblerus represents a kind of alter ego of Pope's makes it difficult to keep them apart .
... as much as possible : having here drawn as vile a picture , as could be represented in the colours of Epic poesy . ... while the idea that Scriblerus represents a kind of alter ego of Pope's makes it difficult to keep them apart .
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Inhalt
Womens situation in the earlymodern period | 39 |
3 | 66 |
4 | 83 |
Urheberrecht | |
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A Contradiction Still: Representations of Women in the Poetry of Alexander Pope Christa Knellwolf,Christa Knellwolf King Eingeschränkte Leseprobe - 1998 |
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Abelard active analysis appears argues argument artistic aspects attack attempt attitude becomes Belinda body Cambridge central century character claim close complex concerning conclude contained contemporary context contradiction conventional creativity Criticism culture demonstrates describes detailed discussion Dunciad effect eighteenth eighteenth-century Eloisa Essay example existence experience expression fact female femininity figure force gender historical human idea imagination implies important instance intellectual interest interpretation John kind knowledge language Lock logical London look male meaning metaphor mind moral nature object observe origin Oxford particular passage person physical poem poem's poet poetry political Pope Pope's position possessing possibility presents produces question Rape readers reason recognise reference relation representation represented rhetorical role satire says sense sexual shows social society spirit structure suggests theory tion understanding University Press violence voice woman women writing