A Contradiction Still: Representations of Women in the Poetry of Alexander PopeThis book offers a stimulating critique of the views concerning gender and gender roles expressed or implied in Pope’s poetry. Christa Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a detailed discussion of Pope’s poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. An attentive close-reading of the poetry reveals Pope's conflicting attitudes towards women and explains them as a product of his difficulties with a society that was experiencing rapid political and cultural change. His contradictory views of femininity are examined in contrast to his self-appointed role as an artist who exercised the prerogative of criticizing the taste of contemporary readers. Knellwolf shows him to be torn between mourning the loss of an old order and fighting for a place in the new social hierarchy. She identifies this conflict with contemporary struggles over the definition of identity and gender, and thus makes a strong case for the reappraisal of Pope’s poetry in the context of gender politics. |
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Seite 7
In my analysis , I will , therefore , treat her as a figure who instigates the question of what women are . This question occupied Pope's mind throughout his life and there will be special emphasis on those instances where his poetry ...
In my analysis , I will , therefore , treat her as a figure who instigates the question of what women are . This question occupied Pope's mind throughout his life and there will be special emphasis on those instances where his poetry ...
Seite 68
on the discourse in which the possibility of producing art is embedded , which leads to questions of how art is thematised in ... Since the myth of artistic origin is related to rape , the central question to be asked is to what extent ...
on the discourse in which the possibility of producing art is embedded , which leads to questions of how art is thematised in ... Since the myth of artistic origin is related to rape , the central question to be asked is to what extent ...
Seite 91
icism , but it also deals with the question of how to be an accepted member of a particular society which then presumably judges rightly . The close interaction with its readership is indeed a particular concern of the essay as genre ...
icism , but it also deals with the question of how to be an accepted member of a particular society which then presumably judges rightly . The close interaction with its readership is indeed a particular concern of the essay as genre ...
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Inhalt
Womens situation in the earlymodern period | 39 |
3 | 66 |
4 | 83 |
Urheberrecht | |
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A Contradiction Still: Representations of Women in the Poetry of Alexander Pope Christa Knellwolf,Christa Knellwolf King Eingeschränkte Leseprobe - 1998 |
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Abelard active analysis appears argues argument artistic aspects attack attempt attitude becomes Belinda body Cambridge central century character claim close complex concerning conclude contained contemporary context contradiction conventional creativity Criticism culture demonstrates describes detailed discussion Dunciad effect eighteenth eighteenth-century Eloisa Essay example existence experience expression fact female femininity figure force gender historical human idea imagination implies important instance intellectual interest interpretation John kind knowledge language Lock logical London look male meaning metaphor mind moral nature object observe origin Oxford particular passage person physical poem poem's poet poetry political Pope Pope's position possessing possibility presents produces question Rape readers reason recognise reference relation representation represented rhetorical role satire says sense sexual shows social society spirit structure suggests theory tion understanding University Press violence voice woman women writing