A Contradiction Still: Representations of Women in the Poetry of Alexander PopeThis book offers a stimulating critique of the views concerning gender and gender roles expressed or implied in Pope’s poetry. Christa Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a detailed discussion of Pope’s poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. An attentive close-reading of the poetry reveals Pope's conflicting attitudes towards women and explains them as a product of his difficulties with a society that was experiencing rapid political and cultural change. His contradictory views of femininity are examined in contrast to his self-appointed role as an artist who exercised the prerogative of criticizing the taste of contemporary readers. Knellwolf shows him to be torn between mourning the loss of an old order and fighting for a place in the new social hierarchy. She identifies this conflict with contemporary struggles over the definition of identity and gender, and thus makes a strong case for the reappraisal of Pope’s poetry in the context of gender politics. |
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Seite 100
What is more , although she , like Pope's Sylvia , plays the game of running away in order to be pursued , she started out by demonstrating an unbashful interest in the naked body of her partner . Philips calls his Sylvia ' wanton ' but ...
What is more , although she , like Pope's Sylvia , plays the game of running away in order to be pursued , she started out by demonstrating an unbashful interest in the naked body of her partner . Philips calls his Sylvia ' wanton ' but ...
Seite 106
That Eloisa is on the brink of madness is a coincidence which does not simply imply that female intellect or creativity is mad , but demonstrates Pope's ambivalent understanding of himself as possessing a mind that does not conform to ...
That Eloisa is on the brink of madness is a coincidence which does not simply imply that female intellect or creativity is mad , but demonstrates Pope's ambivalent understanding of himself as possessing a mind that does not conform to ...
Seite 196
In this context , Umbriel's literal journey through Belinda's body in search of her soul demonstrates how views about sexuality are closely connected to views about the spiritual ( in the sense of non - physical ) nature of woman ...
In this context , Umbriel's literal journey through Belinda's body in search of her soul demonstrates how views about sexuality are closely connected to views about the spiritual ( in the sense of non - physical ) nature of woman ...
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Inhalt
Womens situation in the earlymodern period | 39 |
3 | 66 |
4 | 83 |
Urheberrecht | |
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A Contradiction Still: Representations of Women in the Poetry of Alexander Pope Christa Knellwolf,Christa Knellwolf King Eingeschränkte Leseprobe - 1998 |
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