Analyzing SchubertCambridge University Press, 15.09.2011 When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order. |
Inhalt
| 1 | |
| 6 | |
harmonic adventure in Schuberts songs | 56 |
perceptions of Schuberts sonata form | 146 |
a Schubertian critique | 204 |
Epilogue | 268 |
| 272 | |
| 284 | |
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Häufige Begriffe und Wortgruppen
19th-Century Music Agawu analytical argue arpeggiation bass Bb major Beethoven cadence chapter chord chromatic circle of fifths clairvoyance Cohn common tone composer cycle Dahlhaus David Lewin Denny diatonic dominant fifth Fink Fisk Form in Schubert Franz Schubert Free Composition G major G minor Ganymed graph Grove harmonic stations Hascher hermeneutic hexatonic instrumental music Kramer Krebs Kreissle large-scale Lewin lyrical major and minor McClary means mediant melody minor triads modulations movement Music and Musicians music theory neo-Riemannian nineteenth-century passage Pesic Piano Sonata pitch Quartet in G Quintet Reichardt sacred triangle Schenker Schenkerian Schenkerian analysis Schubert's harmonic Schubert's music Schubert's Sonata Form Schubert's songs Schubertian second theme secondary theme shown in Example sonata form Sonata Theory Spaun Stage 1b Statham String Quartet structure subdominant submediant Taruskin thematic theoretical third relations Thoughts on Music tonal space tonic Tovey transformations transition transposition University Press Urlinie Vogl Vogl's