A.U.M.L.A.: Journal of the Australasian Universities Modern Language Association, Ausgaben 47-50Australasian Universities Modern Language Association, 1977 |
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Seite 84
... poetic image , which is sensitive , sometimes sensual , and usually suggestive . Following on this , I should like to look more searchingly at the difference between Mallarmé's ' language of admiration ' in his prose studies of such poets ...
... poetic image , which is sensitive , sometimes sensual , and usually suggestive . Following on this , I should like to look more searchingly at the difference between Mallarmé's ' language of admiration ' in his prose studies of such poets ...
Seite 85
... poetic vision . Human imagination , when adequately stimulated , plunges into depths where nothing is irrele- vant , because insight has been freed from conventional differentiations . Such is the essence of Symbolism . The foregoing ...
... poetic vision . Human imagination , when adequately stimulated , plunges into depths where nothing is irrele- vant , because insight has been freed from conventional differentiations . Such is the essence of Symbolism . The foregoing ...
Seite 35
... poetic corpus , but it rein- forces the fact that he was not composing his poetry in a vacuum and indeed was able to make original contributions to the estab- lished poetic traditions of Europe . In Dafydd ap Gwilym , then , we find ...
... poetic corpus , but it rein- forces the fact that he was not composing his poetry in a vacuum and indeed was able to make original contributions to the estab- lished poetic traditions of Europe . In Dafydd ap Gwilym , then , we find ...
Inhalt
AUMLA | 4 |
Myth and Culture in Butor and RobbeGrillet | 18 |
Georg Lukács Concept of Literary Realism | 30 |
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