Sioux BeadworkHaskell Institute, 1933 - 27 Seiten |
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Seite 4
... developed to a high degree of artistic perfection before the first European beads reached this country , and with which the use of beads was at first combined . Porcupine - quill embroidery work had been car- ried on almost universally ...
... developed to a high degree of artistic perfection before the first European beads reached this country , and with which the use of beads was at first combined . Porcupine - quill embroidery work had been car- ried on almost universally ...
Seite 6
... developed in the Cheyenne River Boarding School in South Dakota . Interesting examples of the early quill and bead work are to be seen in museum collections of the handicrafts of the North American Indians , and in the private ...
... developed in the Cheyenne River Boarding School in South Dakota . Interesting examples of the early quill and bead work are to be seen in museum collections of the handicrafts of the North American Indians , and in the private ...
Seite 8
... developed a woven beadwork technique , using the olivella - shells with the points ground off so that a thread might be passed through them to weave bands , belts , and similar forms . The famous wampum belts used to convey messages ...
... developed a woven beadwork technique , using the olivella - shells with the points ground off so that a thread might be passed through them to weave bands , belts , and similar forms . The famous wampum belts used to convey messages ...
Seite 14
... developed by the beadworkers in the Plains area . The tribal designs of the Sioux adhere closely to these early geometric forms . Undoubtedly the character of the Sioux designs has been in large measure determined by the medium in which ...
... developed by the beadworkers in the Plains area . The tribal designs of the Sioux adhere closely to these early geometric forms . Undoubtedly the character of the Sioux designs has been in large measure determined by the medium in which ...
Seite 16
... developed by the Plains Indians . The design elements used by the old Indian beadworkers are known to have served as symbols to a considerable extent though possibly not so generally as the superficial student has been wont to believe ...
... developed by the Plains Indians . The design elements used by the old Indian beadworkers are known to have served as symbols to a considerable extent though possibly not so generally as the superficial student has been wont to believe ...
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Häufige Begriffe und Wortgruppen
American Indian baby carrier bead embroidery bead weaving Beaded articles birch bark blue broidery buckskin casins ceremonial conventional designs costumes couching stitch craft decoration design elements developed diamond early embroidered floral fringes geometric designs geometric forms give-away handicrafts hide horse horse-track HOUR GLASS Indian School Indian women interest ISOSCELES TRIANGLE large number lazy stitch leggins lightning MOCCASIN DESIGNS moistened native arts number of beads old beadworkers old pieces paints piece of sinew pipe Plains Indians porcupine quills pouches quill and bead rawhide REC'D rectangle Red lines represents reservations ridged saliva seed beads sewing Sioux beadwork Sioux designs SIOUX PATTERNS SHOWING Sioux Tribe Sioux women skin soaked in warm sometimes South Dakota spot stitch stripped symbolic meaning tendon threads tion to-day triangle tribal TYPICAL SIOUX PATTERNS usually VAMP war bonnet warrior woman's dress wounds woven yoke younger women Ц Ц Ц נ נ נ
Beliebte Passagen
Seite 3 - Additional data were obtained by studying collections at the American Museum of Natural History and the Museum of the American Indian.
Seite 25 - ... Poetic description 325 Local culture reflected in literary form 327 Symbolic meaning of narrative 337 Different literary styles are found in the same tribe 337 Distribution of literary forms 338 Music 340 Dance 344 Conclusion 349 Text figures 357 Explanation of plates 373 Name Index 374 This book is an attempt to give an analytical description of the fundamental traits of primitive art. The treatment given to the subject is based on two principles that, I believe, should guide all investigations...
Seite 25 - An attempt to give an analytical description of the fundamental traits of Indian Art— and to determine the dynamic conditions under which art styles grow up.
Seite 3 - With a revival of interest in the native arts and crafts of the American Indian, the Indian Office is encouraging those who are working on the reservations to acquaint themselves with what remains of the Indian handicrafts.
Seite 8 - Another perforation is made to admit the sinew at the end of the row of beads. As in the overlay stitch, the perforation does not pass through to the under side of the skin, but runs horizontally just below the surface, so that no stitches show. The same number of beads is again strung on the sinew, which is carried back to the starting point and passed throjgh another perforation, close to the first one. Thus the pattern is made up of beads sewed down only at the ends of each...
Seite 17 - ... On the upper part of the bag the border figure (c) represents a victory in which the owner's horse, represented by the green diamond-shaped figure, was wounded, as shown by the red area within the horse symbol ; (b) represents a feather, and implies that the owner of the bag was entitled to wear an eagle feather in his hair as a sign that he had killed an enemy. The figures of the pipe indicate the owner's right to carry the official peace pipe. The parts of this design are not new and so not...
Seite 9 - The first bead frames were made of ash tied with sinew at the corners and were almost square.
Seite 17 - The turtle was used as a talisman. The U-shaped design below the yoke of the woman's dress represented the breast of a turtle, the wing-like extension corresponding to the sides of the shell.
Seite 7 - The small seashells with which it is ornamented have had their points ground off and have been sewn to the garment with threads of sinew.
Seite 13 - To-day some of the older women make designs by folding and tearing or cutting paper, thus insuring a balanced pattern. Folded and torn (or bitten) patterns may have been derived from similarly manufactured patterns of birch bark made by the Indians of the Great Lakes and eastern Canada.