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Seite 52
As a mode of thinking the contradiction between use value and value , the Baroque is a central part of the modernity puzzle because of its capacity to fold the arbitrary relation between the realm of the social - natural and capitalism ...
As a mode of thinking the contradiction between use value and value , the Baroque is a central part of the modernity puzzle because of its capacity to fold the arbitrary relation between the realm of the social - natural and capitalism ...
Seite 56
Indeed , the Baroque has long been considered a foundational mode of identity production in Latin America and even a mark of specificity of the region . Highly influential texts from the midcentury , such as José Lezama Lima's La ...
Indeed , the Baroque has long been considered a foundational mode of identity production in Latin America and even a mark of specificity of the region . Highly influential texts from the midcentury , such as José Lezama Lima's La ...
Seite 64
Thus , the Baroque , as a historical ethos , would be a particular mode of defining both modernity and capital , competing with the other ethe . This notion of Baroque as space and center is close to José Antonio Maravall's analysis ...
Thus , the Baroque , as a historical ethos , would be a particular mode of defining both modernity and capital , competing with the other ethe . This notion of Baroque as space and center is close to José Antonio Maravall's analysis ...
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Inhalt
Walter Benjamin Revisited | 16 |
Bolívar Echeverría | 37 |
A Meditation | 66 |
Urheberrecht | |
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actual affective allows appears approach argues attempt awakening Baroque becomes beginning Benjaminian body calls Cambridge century Chile concept condition connection consciousness constellation constituted construction context critical critique cultural discourse dream Duke University Echeverría Eltit emerges emphasizes engage essay experience figure follows force hand hashish Ibid idea illumination implies important intellectual Iquique issue language later Latin America legacy literary literature living marked Marxism material means memory Mexican Mexico Michigan mode modernity Moscow narrative never notion novel original particular past philosophy Pitol political position possibility practice precisely present problem production question quotation reading refer regarding relation relationship remains role sense social space struggles studies suggests suicide temporal theory thinking thought tion tradition trans transformation translation truth turn University Press Walter Benjamin worker writing