Charles Baudelaire: A Lyric Poet in the Era of High CapitalismWalter Benjamin, one of the foremost cultural ommentators and theorists of the 20th century, is perhaps best known for his analyses of art in the modern age and the philosophy of history. Yet, it was through his study of the social and cultural history of late-19th-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. |
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Seite 103
In other words , its point of departure is the object riddled with error , with Sofa (
conjecture ) . The distinctions with which the materialist method , discriminative
from the outset , starts are distinctions within this highly mixed object , and it
cannot ...
In other words , its point of departure is the object riddled with error , with Sofa (
conjecture ) . The distinctions with which the materialist method , discriminative
from the outset , starts are distinctions within this highly mixed object , and it
cannot ...
Seite 112
As for that object , it depends entirely on chance whether we come upon it before
we die or whether we never encounter it . ' s According to Proust , it is a matter of
chance whether an individual forms an image of himself , whether he can take ...
As for that object , it depends entirely on chance whether we come upon it before
we die or whether we never encounter it . ' s According to Proust , it is a matter of
chance whether an individual forms an image of himself , whether he can take ...
Seite 148
To perceive the aura of an object we look at means to invest it with the ability to
look at us in return . 90 This experience corresponds to the data of the mémoire
involontaire . ( These data , incidentally , are unique ; they are lost to the memory
...
To perceive the aura of an object we look at means to invest it with the ability to
look at us in return . 90 This experience corresponds to the data of the mémoire
involontaire . ( These data , incidentally , are unique ; they are lost to the memory
...
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The Bohème II | 11 |
The Flâneur | 35 |
Modernism | 67 |
Urheberrecht | |
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