Charles Baudelaire: A Lyric Poet in the Era of High CapitalismWalter Benjamin, one of the foremost cultural ommentators and theorists of the 20th century, is perhaps best known for his analyses of art in the modern age and the philosophy of history. Yet, it was through his study of the social and cultural history of late-19th-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. |
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Seite 53
The servility with which those pushed even go on to apologize , shows where the
devices which Poe employs here come from . They are from the repertoire of
clowns , and Poe uses them in a fashion similar to that later employed by clowns .
The servility with which those pushed even go on to apologize , shows where the
devices which Poe employs here come from . They are from the repertoire of
clowns , and Poe uses them in a fashion similar to that later employed by clowns .
Seite 70
13 In his later years Baudelaire was not often able to move through the streets of
Paris as a stroller . His creditors pursued him , his illness made itself felt , and
there was strife between him and his mistress . The shocks which his worries ...
13 In his later years Baudelaire was not often able to move through the streets of
Paris as a stroller . His creditors pursued him , his illness made itself felt , and
there was strife between him and his mistress . The shocks which his worries ...
Seite 77
30 One year later he wrote : ' Regarding the attire , the covering of the modern
hero , . . . does it not have a beauty and a charm of its own . . . . Is this not an attire
that is needed by our epoch , suffering , and dressed up to its thin black narrow ...
30 One year later he wrote : ' Regarding the attire , the covering of the modern
hero , . . . does it not have a beauty and a charm of its own . . . . Is this not an attire
that is needed by our epoch , suffering , and dressed up to its thin black narrow ...
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The Bohème II | 11 |
The Flâneur | 35 |
Modernism | 67 |
Urheberrecht | |
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