Charles Baudelaire: A Lyric Poet in the Era of High CapitalismWalter Benjamin, one of the foremost cultural ommentators and theorists of the 20th century, is perhaps best known for his analyses of art in the modern age and the philosophy of history. Yet, it was through his study of the social and cultural history of late-19th-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. |
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But this very pathos is probably indebted to Blanquism , for the Blanquist Tridon
cries out in a similar vein : ' O force , queen of the barricades , you who shine in
the lightning and in the riot . . . it is toward you that the prisoners stretch their ...
But this very pathos is probably indebted to Blanquism , for the Blanquist Tridon
cries out in a similar vein : ' O force , queen of the barricades , you who shine in
the lightning and in the riot . . . it is toward you that the prisoners stretch their ...
Seite 99
In the first decades of the nineteenth century this convention was in undisputed
force . When Lebrun ' s Cid was performed , the word chambre evoked mutterings
of disapproval . Othello , in Alfred de Vigny ' s translation , failed because of the ...
In the first decades of the nineteenth century this convention was in undisputed
force . When Lebrun ' s Cid was performed , the word chambre evoked mutterings
of disapproval . Othello , in Alfred de Vigny ' s translation , failed because of the ...
Seite 171
Baudelaire ' s poetry drew its force from the rebellious pathos of this group . He
took the part of the asocial . He achieved his only sexual relationship with a
whore . Facilis descensus Averni . ( ' The road to Hell is easy . ' ) Virgil , Aeneid It
is the ...
Baudelaire ' s poetry drew its force from the rebellious pathos of this group . He
took the part of the asocial . He achieved his only sexual relationship with a
whore . Facilis descensus Averni . ( ' The road to Hell is easy . ' ) Virgil , Aeneid It
is the ...
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The Bohème II | 11 |
The Flâneur | 35 |
Modernism | 67 |
Urheberrecht | |
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