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Seite 37
Caught only as fugitive memory , these women are always already narrativized , their passivity always already triangulated through an obscure , other scene which assures the division of the narrative scene from the scene of narration .
Caught only as fugitive memory , these women are always already narrativized , their passivity always already triangulated through an obscure , other scene which assures the division of the narrative scene from the scene of narration .
Seite 44
While the opening images of L'Amant displace the scene of writing , and the story itself works to destabilize any subject posi- tion for character , the concluding pages problematize any fixed position for the reader .
While the opening images of L'Amant displace the scene of writing , and the story itself works to destabilize any subject posi- tion for character , the concluding pages problematize any fixed position for the reader .
Seite 61
Roth meanwhile is taking notes and proceeds to include the scene in his memoir , after his father's death . At the same time , the son is clearly in love with his father , and idealizes him somewhere between the benevolent and the ...
Roth meanwhile is taking notes and proceeds to include the scene in his memoir , after his father's death . At the same time , the son is clearly in love with his father , and idealizes him somewhere between the benevolent and the ...
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Inhalt
Introduction DEC 4 | 5 |
DISCOURSE 15 | 15 |
The Desirability of Disavowal in Physical Culture | 27 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 15 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1992 |
| Original von | die University of Virginia |
| Digitalisiert | 9. Nov. 2009 |
| Zitat exportieren | BiBTeX EndNote RefMan |