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Seite 14
TRYING TO FIGURE OUT HOW TO DRAW YOU ... WANT ME I MEAN IN MY TO POSE ? BOOK . WHAT KIND OF ANIMAL SHOULD I MAKE YOU ? HUH ? A MOUSE , OF COURSE ! BUT YOU'RE FRENCH ! WELL HOW ABOUT THE BUNNY RABBIT ? NAH.TOO SWEET AND GENTLE , HMMPH .
TRYING TO FIGURE OUT HOW TO DRAW YOU ... WANT ME I MEAN IN MY TO POSE ? BOOK . WHAT KIND OF ANIMAL SHOULD I MAKE YOU ? HUH ? A MOUSE , OF COURSE ! BUT YOU'RE FRENCH ! WELL HOW ABOUT THE BUNNY RABBIT ? NAH.TOO SWEET AND GENTLE , HMMPH .
Seite 20
As the female voice - over remarks , " Enlightenment Aufklärung - that is a word in the history of ideas , " we are asked to look at a Leonardo drawing of the human eye , replete with humanist significance ( figure 5 ) .
As the female voice - over remarks , " Enlightenment Aufklärung - that is a word in the history of ideas , " we are asked to look at a Leonardo drawing of the human eye , replete with humanist significance ( figure 5 ) .
Seite 44
... when it returns later to more footage from the same modelling session , each student " sees " something different not only from every other student ( figures 27-29 ) , but most dramatically- from the camera ( figure 30 ) .
... when it returns later to more footage from the same modelling session , each student " sees " something different not only from every other student ( figures 27-29 ) , but most dramatically- from the camera ( figure 30 ) .
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Inhalt
Introduction DEC 4 | 5 |
DISCOURSE 15 | 15 |
The Desirability of Disavowal in Physical Culture | 27 |
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