Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 15Indiana University Press, 1992 |
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Seite 3
... Camera and Eye It has long been one of the governing assumptions of film theory that the cinema derives in some ultimate sense from the Renais- sance , via intervening technologies like the camera obscura , the still camera , and the ...
... Camera and Eye It has long been one of the governing assumptions of film theory that the cinema derives in some ultimate sense from the Renais- sance , via intervening technologies like the camera obscura , the still camera , and the ...
Seite 9
... camera obscura . The relation between camera and the human optical organ may now seem less analogous than compensatory , the former promising to make good the deficiencies of the latter and to shore up a distinction which the eye cannot ...
... camera obscura . The relation between camera and the human optical organ may now seem less analogous than compensatory , the former promising to make good the deficiencies of the latter and to shore up a distinction which the eye cannot ...
Seite 10
... camera , proposes that the photographer is nothing more than a " functionary " of that apparatus ( 19 ) . But the concept of the " observer " implies not only an embodied and spectacularized eye whose relation to the camera is ...
... camera , proposes that the photographer is nothing more than a " functionary " of that apparatus ( 19 ) . But the concept of the " observer " implies not only an embodied and spectacularized eye whose relation to the camera is ...
Inhalt
Introduction DEC 4 | 5 |
DISCOURSE 15 | 15 |
The Desirability of Disavowal in Physical Culture | 27 |
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