 | Tobias Smollett - 1796 - 612 Seiten
...mod fimp'.e of all edifices. Though as a fculptor he exprefled the character of flefli more perfectly than all that went before or came after him, yet he...from his principles, but it has been his fate to have hsd bfauties and faults, afcribed to him which belonged only to his fervile copyifts or unIkilful imitators."... | |
 | 1796 - 616 Seiten
...ibofi fimp'.e of all rdilites. Thmigh as a fculptor he expreflèd the character offlefli more perfectly than all that went before or came after him,, yet...with a negative colour, and as the painter of mankind rejefted all meretricious ornament. Such was Michael Angelo as an artifl. Sometimes he no doubt deviated... | |
 | Alexander Chalmers - 1813 - 504 Seiten
...and in him he represented the reigning passion rather than the man. In painting he contented himself with a negative colour, and, as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by his predecessors, he concentrated,... | |
 | Matthew Pilkington - 1829 - 586 Seiten
...traced the mastertrait of every passion that sways the human heart. In painting, he contented himself with a negative colour, and as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by his predecessors, he concentrated,... | |
 | Benjamin Dudley Emerson - 1830 - 334 Seiten
...and in him he represented the reigning passion rather than the man. In painting he contented himself with a negative colour, and, as the painter of mankind, rejected all meretricious ornament. The fabric of St Peter, scattered into infinity of jarring parts by Bramante and his successors, he... | |
 | Allan Cunningham - 1833 - 292 Seiten
...him he represented the reigning passion rather than the man. In painting, he contented himself with negative colour, and as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramanti and. his successors,... | |
 | Allan Cunningham - 1830 - 374 Seiten
...him he represented the reigning passion rather than the man. In painting, he contented himself with negative colour, and as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramanti and his successors, he... | |
 | Benjamin Dudley Emerson - 1831 - 356 Seiten
...and in him he represented the reigning passion rather than the man. In painting, he contented himself with a negative colour, and, as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramante and his successors, he... | |
 | Johann Heinrich Füssli - 1831 - 420 Seiten
...and in him he represented the reigning passion rather than the man.* In painting he contented himself with a negative colour, and as the painter of mankind, rejected all meretricious ornament, f The fabric of St. Peter, scattered into infinity of jarring parts by Bra* Like Silanion—' Apollodorum... | |
 | 1833 - 504 Seiten
...in him he represented the reigning passion rather than the man. In painting he has contented himself with a negative colour, and as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by Bramante and his successors,... | |
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Julio the second only excepted ; and in him he represented the reigning passion rather than the man. In painting he contented himself with a negative colour, and, as the painter of mankind, rejected all meretricious ornament. The fabric of St Peter, scattered... 
