Fear and Misery in the Third Reich
Bloomsbury Academic, 01.03.2012 - 144 Seiten
Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort.
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Fear and Misery of the Third Reich and the Spanish Civil War play Senora
Carrar's Rifles, both of which were premiered in Paris with the Bulgarian Slatan
Dudow as director and Helene Weigel as principal actress, were intended for
It was agreed that Helene Weigel would come from Denmark to act with the
group, and Brecht also wanted the production coordinated with that of The
Threepenny Opera, which Aufricht was once again planning to present in Paris. 'I
imagine it ...
Nevertheless the production was greeted as a success, and not only because of
what was generally agreed to be another outstanding performance by Helene
Weigel. Thus Walter Benjamin, who at that time was close to Brecht and had a ...
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LibraryThing ReviewNutzerbericht - Devil_llama - LibraryThing
More a series of vignettes than an actual play with a beginning, middle, and end. Characters appear, and disappear again after sometimes as little as a half page of dialogue. Brecht was cataloging ... Vollständige Rezension lesen