The Fine arts' journal

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1847
 

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Seite 93 - There are different orders of greatness. Among these, the first rank is unquestionably due to moral greatness or magnanimity ; to that sublime energy by which the soul, smitten with the love of virtue, binds itself indissolubly, for life and for death, to truth and duty ; espouses as its own the interests of human nature ; scorns all meanness and defies all peril ; hears in its own conscience a voice louder than...
Seite 33 - Barry, in characters of greatness, had a presence of elevated dignity ; her mien and motion superb, and gracefully majestic ; her voice full, clear, and strong, so that no violence of passion could be too much for her ; and when distress or tenderness possessed her, she subsided into the most affecting melody and softness. In the art of exciting pity, she had a power beyond all the actresses I have yet seen, or what your imagination can conceive.
Seite 93 - This is the greatness which belongs to philosophers, and to the master spirits in poetry and the fine arts. — Next comes the greatness of action; and by this we mean the sublime power of conceiving bold and extensive plans ; of constructing and bringing to bear on a mighty object a complicated machinery of means, energies, and arrangements, and of accomplishing great outward effects.
Seite 126 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Seite 14 - I hate him for he is a Christian; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Seite 65 - Wit may be defined to be the Arbitrary Juxtaposition of Dissimilar Ideas, for some lively purpose of Assimilation or Contrast, generally of both. It is fancy in its most wilful, and strictly speaking, its least poetical state ; that is to say, Wit does not contemplate its ideas for their own sakes in any light apart from their ordinary prosaical one, but solely for the purpose of producing an effect by their combination.
Seite 65 - Wit is the clash and reconcilement of incongruities ; the meeting of extremes round a corner ; the flashing of an artificial light from one object to another, disclosing some unexpected resemblance or connection. It is the detection of likeness in unlikeness, of sympathy in antipathy, or of the extreme points of antipathies themselves, made friends by the very merriment of their introduction.
Seite 52 - I'll not hurt a hair of thy head: Go, says he, lifting up the sash, and opening his hand as he spoke, to let it escape; go, poor devil, get thee gone, why should I hurt thee?
Seite 93 - ... interests with too much heartiness, to live an hour for what Napoleon always lived, — to make itself the theme and gaze and wonder of a dazzled world. Next to moral comes intellectual greatness, or genius in the highest sense of that word; and by this we mean that sublime capacity of thought, through which the soul, smitten with the love of the true and the beautiful, essays to comprehend the universe, soars into the heavens, penetrates the earth, penetrates itself, questions the past, anticipates...
Seite 175 - Next cool, and all unconscious of reproach, Comes the calm "Johnny who upset the coach."* How formed to lead, if not too proud to please, — His fame would fire you, but his manners freeze. Like or dislike, he does not care a jot; He wants your vote, but your...

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