Manliness and the Male Novelist in Victorian LiteratureAshgate, 2001 - 139 Seiten The purpose of this book is to address two principal questions: 'Was the concept of masculinity a topic of debate for the Victorians?' and 'Why is Victorian literature full of images of male deviance when Victorian masculinity is defined by discipline?' In his introduction, Dowling defines Victorian masculinity in terms of discipline. He then addresses the central question of why an official ideal of manly discipline in the nineteenth century co-existed with a literature that is full of images of male deviance. In answering this question, he develops a notion of 'hegemonic deviance', whereby a dominant ideal of masculinity defines itself by what it is not. Dowling goes on to examine the fear of effeminacy facing Victorian literary men and the strategies used to combat these fears by the nineteenth-century male novelist. In later chapters, concentrating on Dickens and Thackeray, he examines how the male novelist is defined against multiple images of unmanliness. These chapters illustrate the investment made by men in constructing male 'others', those sources of difference that are constantly produced and then crushed from within gender divide. By analysing how Victorian literary texts both reveal and reconcile historical anxieties about the meaning of manliness, Dowling argues that masculinity is a complex construction rather than a natural given. |
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Seite 30
... tells of him things which should disgrace him , as the picture he drew of his own father , and the hard words he ... tell so little of a student or writer of books , and so much of a man of action and business in the world . Light ...
... tells of him things which should disgrace him , as the picture he drew of his own father , and the hard words he ... tell so little of a student or writer of books , and so much of a man of action and business in the world . Light ...
Seite 78
... tell . Thackeray's suggestions of what cannot be told often take the form of a warning to mothers , as in : ' O you mothers at home , how much do you think you know about your lads ? How much do you think you know ? ' ( p . 708 ) .13 ...
... tell . Thackeray's suggestions of what cannot be told often take the form of a warning to mothers , as in : ' O you mothers at home , how much do you think you know about your lads ? How much do you think you know ? ' ( p . 708 ) .13 ...
Seite 95
... tell everything of himself , I hold to be impossible ' ( p . 1 ) . He ends his story in the same manner : ' It will not , I trust , be supposed by any reader that I have intended in this so - called autobiography to give a record of my ...
... tell everything of himself , I hold to be impossible ' ( p . 1 ) . He ends his story in the same manner : ' It will not , I trust , be supposed by any reader that I have intended in this so - called autobiography to give a record of my ...
Inhalt
Victorian Metaphors of Manliness | 13 |
Dickens Manliness and the Myth of the Romantic Artist | 26 |
Masculinity and its Discontents in Dickenss David Copperfield | 46 |
Urheberrecht | |
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Manliness and the Male Novelist in Victorian Literature Andrew Dowling Eingeschränkte Leseprobe - 2017 |
Manliness and the Male Novelist in Victorian Literature Andrew Dowling Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
anxieties artist associated Autobiography becomes believes body chapter character claims codes construction course creates critics culture David Copperfield defined described desire developed deviance Dickens Dickens's difference discipline dominant effect emotion emphasises energy English evident examines example expressed failure fears feeling female feminine feminist fiction figure force gender genius George Gissing Gissing's Grub Street hand hegemonic hero idea ideal identity illustrates importance intellectual Jasper John language Letters literary literature lives London looking male novelist manliness masculinity meaning mind myth nature never nineteenth century novel observed offers opposition Pendennis popular position production question Reardon relation relationship representation represented reveals Review Romantic artist seen sense sexual social society speech Steerforth studies success suffering suggests Thackeray Thackeray's thought Trollope Trollope's truth Uriah Victorian Warrington woman women writing young
Verweise auf dieses Buch
Gender at Work in Victorian Culture: Literature, Art and Masculinity Martin A. Danahay Keine Leseprobe verfügbar - 2005 |
The Marriage of Minds: Reading Sympathy in the Victorian Marriage Plot Rachel Ablow Eingeschränkte Leseprobe - 2007 |