Jahrbuch des A.-Stifter-Institutes, Band 11Das Institut, 1994 - 182 Seiten |
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Seite 13
... writer he was acquainted with the experience of the Uncanny . In this piece , his aim is to recall his earliest memories , or , more precisely , the origins of his remembering itself . What is unmistakably uncan- ny about these moments ...
... writer he was acquainted with the experience of the Uncanny . In this piece , his aim is to recall his earliest memories , or , more precisely , the origins of his remembering itself . What is unmistakably uncan- ny about these moments ...
Seite 14
... writer as if it were standing next to his desk as he writes . Yet we know by this time , that , far from being " einfach " or , as it were , " mit der kunstreichsten Glasur überzogen " , to recall the phrase from Granit , the naming of ...
... writer as if it were standing next to his desk as he writes . Yet we know by this time , that , far from being " einfach " or , as it were , " mit der kunstreichsten Glasur überzogen " , to recall the phrase from Granit , the naming of ...
Seite 129
... writers ' treatment of the Ro- many presence . From that it should become clear that Stifter's literary image of the Gypsies is revealing of his particular modernist stance . Stifter , I shall argue , is decidedly a modern writer ...
... writers ' treatment of the Ro- many presence . From that it should become clear that Stifter's literary image of the Gypsies is revealing of his particular modernist stance . Stifter , I shall argue , is decidedly a modern writer ...
Inhalt
MICHAEL MINDEN | 9 |
ULRIKE VEDDER | 22 |
RÜDIGER GÖRNER | 35 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abgrund Adalbert Stifter aesthetic Ästhetik Band Beautiful beauty becomes beiden Bild Blick Brief Brigitta Bunte Steine Chelion Condor Cornelia Coup de foudre course cultural Déjà-vu Dinge E.T.A. Hoffmanns Eichendorff Ende endogamen Erhabenen Erotik ersten example exogame experience familiar Figuren first Fontane Form Frankfurt/M fremden Friedrich Friedrich Hebbel Gerhard Neumann Geschichte girl Goethe Goethezeit Grellmann Grenze Großstadt Gustav Heckenast Gypsies Gypsy Hebbel Heinrich heißt Helen Fisher Historisch-Kritischen Hochwald hrsg Imprévu Jahrhunderts Jean-François Lyotard Johannes John Kind Kontext kulturellen Kunst läßt Lektüre Leopold Schefer Leser lichen Liebe literarischen Literatur Mappe meines Urgroßvaters Menschen modern Moderne modernist money muß Nachkommenschaften Nachsommer narrative Narrenburg Natur note Novelle point Rahmen Renold Risach Roman Romantic schließlich Schwester sense sozialen Stifter's Stifters Erzählung style Subjekt sublimation Sublime Thomas Thomas Bernhard Titzmann Toten Uncanny unserer value Vater Veit Hugo Wahrnehmung Wald Walter Hettche weiß Werk wieder Wien work world writer writing zugleich