Jahrbuch des A.-Stifter-Institutes, Band 11Das Institut, 1994 - 182 Seiten |
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Seite 80
... money and how they shape signifi- cation processes which in turn trigger psycho - historical shifts in human relationships . Meta- phorically , we are witnessing humanity's fall from grace through the transformative character of rapidly ...
... money and how they shape signifi- cation processes which in turn trigger psycho - historical shifts in human relationships . Meta- phorically , we are witnessing humanity's fall from grace through the transformative character of rapidly ...
Seite 81
... money becomes vampiristic and feeds on everything else in an attempt to fill its own emptiness . As Martin and Erika Swales observed , 3 Stifter's critique of modern money economy is indeed remarkable though one could argue that Stifter ...
... money becomes vampiristic and feeds on everything else in an attempt to fill its own emptiness . As Martin and Erika Swales observed , 3 Stifter's critique of modern money economy is indeed remarkable though one could argue that Stifter ...
Seite 85
... money as the ontosemiotic medium of moder- nity . In Der Nachsommer , the ontosemiotic medium is not money at all , but its aesthetic equivalent , the " Buchstabe " . The " Buchstabe " is the universal currency that can enlighten all ...
... money as the ontosemiotic medium of moder- nity . In Der Nachsommer , the ontosemiotic medium is not money at all , but its aesthetic equivalent , the " Buchstabe " . The " Buchstabe " is the universal currency that can enlighten all ...
Inhalt
MICHAEL MINDEN | 9 |
ULRIKE VEDDER | 22 |
RÜDIGER GÖRNER | 35 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abgrund Adalbert Stifter aesthetic Ästhetik Band Beautiful beauty becomes beiden Bild Blick Brief Brigitta Bunte Steine Chelion Condor Cornelia Coup de foudre course cultural Déjà-vu Dinge E.T.A. Hoffmanns Eichendorff Ende endogamen Erhabenen Erotik ersten example exogame experience familiar Figuren first Fontane Form Frankfurt/M fremden Friedrich Friedrich Hebbel Gerhard Neumann Geschichte girl Goethe Goethezeit Grellmann Grenze Großstadt Gustav Heckenast Gypsies Gypsy Hebbel Heinrich heißt Helen Fisher Historisch-Kritischen Hochwald hrsg Imprévu Jahrhunderts Jean-François Lyotard Johannes John Kind Kontext kulturellen Kunst läßt Lektüre Leopold Schefer Leser lichen Liebe literarischen Literatur Mappe meines Urgroßvaters Menschen modern Moderne modernist money muß Nachkommenschaften Nachsommer narrative Narrenburg Natur note Novelle point Rahmen Renold Risach Roman Romantic schließlich Schwester sense sozialen Stifter's Stifters Erzählung style Subjekt sublimation Sublime Thomas Thomas Bernhard Titzmann Toten Uncanny unserer value Vater Veit Hugo Wahrnehmung Wald Walter Hettche weiß Werk wieder Wien work world writer writing zugleich