Jahrbuch des A.-Stifter-Institutes, Band 11Das Institut, 1994 - 182 Seiten |
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Seite 9
... Uncanny . ' For Harold Bloom the Uncanny " is of enormous importance to literary criticism because it is the only major contribution that the twentieth cen- tury has made to the aesthetics of the Sublime . " 2 Since Bloom's intervention ...
... Uncanny . ' For Harold Bloom the Uncanny " is of enormous importance to literary criticism because it is the only major contribution that the twentieth cen- tury has made to the aesthetics of the Sublime . " 2 Since Bloom's intervention ...
Seite 13
... Uncanny it is significant that Freud's main literary example comes from E.T.A. Hoffmann , the archetypal problematic Romantic , dis- mayed by the fate of high artistic aspiration in the prosaic philistinism of nineteenth - century ...
... Uncanny it is significant that Freud's main literary example comes from E.T.A. Hoffmann , the archetypal problematic Romantic , dis- mayed by the fate of high artistic aspiration in the prosaic philistinism of nineteenth - century ...
Seite 15
... uncanny ( i.e. a recognition of the unfamiliar ) , is evidence of the death instinct . At all events , without wishing to succumb to the tedious paradoxes that talking about the death instinct entails , let us hold on to the point ...
... uncanny ( i.e. a recognition of the unfamiliar ) , is evidence of the death instinct . At all events , without wishing to succumb to the tedious paradoxes that talking about the death instinct entails , let us hold on to the point ...
Inhalt
MICHAEL MINDEN | 9 |
ULRIKE VEDDER | 22 |
RÜDIGER GÖRNER | 35 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abgrund Adalbert Stifter aesthetic Ästhetik Band Beautiful beauty becomes beiden Bild Blick Brief Brigitta Bunte Steine Chelion Condor Cornelia Coup de foudre course cultural Déjà-vu Dinge E.T.A. Hoffmanns Eichendorff Ende endogamen Erhabenen Erotik ersten example exogame experience familiar Figuren first Fontane Form Frankfurt/M fremden Friedrich Friedrich Hebbel Gerhard Neumann Geschichte girl Goethe Goethezeit Grellmann Grenze Großstadt Gustav Heckenast Gypsies Gypsy Hebbel Heinrich heißt Helen Fisher Historisch-Kritischen Hochwald hrsg Imprévu Jahrhunderts Jean-François Lyotard Johannes John Kind Kontext kulturellen Kunst läßt Lektüre Leopold Schefer Leser lichen Liebe literarischen Literatur Mappe meines Urgroßvaters Menschen modern Moderne modernist money muß Nachkommenschaften Nachsommer narrative Narrenburg Natur note Novelle point Rahmen Renold Risach Roman Romantic schließlich Schwester sense sozialen Stifter's Stifters Erzählung style Subjekt sublimation Sublime Thomas Thomas Bernhard Titzmann Toten Uncanny unserer value Vater Veit Hugo Wahrnehmung Wald Walter Hettche weiß Werk wieder Wien work world writer writing zugleich