Mapping the Spectrum: Techniques of Visual Representation in Research and Teaching
Oxford University Press, 2002 - 562 Seiten
Ever since the boom of spectrum analysis in the 1860s, spectroscopy has become one of the most fruitful research technologies in analytic chemistry, physics, astronomy, and other sciences. This book is the first in-depth study of the ways in which various types of spectra, especially the sun's Fraunhofer lines, have been recorded, displayed, and interpreted. The book assesses the virtues and pitfalls of various types of depictions, including hand sketches, woodcuts, engravings, lithographs and, from the late 1870s onwards, photomechanical reproductions. The material of a 19th-century engraver or lithographer, the daily research practice of a spectroscopist in the laboratory, or a student's use of spectrum posters in the classroom, all are looked at and documented here. For pioneers of photography such as John Herschel or Hermann Wilhelm Vogel, the spectrum even served as a prime test object for gauging the color sensitivity of their processes. This is a broad, contextual portrayal of the visual culture of spectroscopy in the 19th and early 20th centuries. The illustrations are not confined to spectra--they show instruments, laboratories, people at work, and plates of printing manuals. The result is a multifacetted description, focusing on the period from Fraunhofer up to the beginning of Bohr's quantum theory. A great deal of new and fascinating material from two dozen archives has been included. A must for anyone interested in the history of modern science or in research practice using visual representations.
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The spectrum in historical context
The interplay of representational form and purpose
The material culture of printing
The rise of photography
Rowland McClean Higgs
Photochemical experimentation infrared exploration and
absorption According analysis appeared applications astronomy atlas band became Berlin called century chap chemical chemistry College color compared comparison continuous course detailed discussed dispersion Draper drawing early edition effect elements engraving example experimental experiments exposure Fraunhofer further glass grating Harvard Henry Herschel illustrations included indicated instance Institute intensity John John William Draper laboratory later light lines lithographic London means measurements metals method Nature normal notes observations Observatory obtained optical original Paris photographic physics plates position practical precision printing prism produced publication published range rays recording reference region relations relative representation reproduced Rowland Royal scale Science scientific sensitivity shows silver similar Smyth Society solar spectrum spectra spectroscope stellar teaching techniques term types University various visual Vogel wavelength
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