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Seite 100
Apart from the chronology of events leading to the massacre , the exhibits used
pictures to tell the story of the ugly morning , including the excessive violence on
the indefensible students . A section of the exhibit was a life - size picture of one
of ...
Apart from the chronology of events leading to the massacre , the exhibits used
pictures to tell the story of the ugly morning , including the excessive violence on
the indefensible students . A section of the exhibit was a life - size picture of one
of ...
Seite 170
In later versions of the picture , published during the Cultural Revolution , the
figure ( by then disgraced ) Zhu De was erased from the picture . Discussing this
photograph , Fujioka writes : " Everybody knows that words can lie . In contrast ,
the ...
In later versions of the picture , published during the Cultural Revolution , the
figure ( by then disgraced ) Zhu De was erased from the picture . Discussing this
photograph , Fujioka writes : " Everybody knows that words can lie . In contrast ,
the ...
Seite 178
13 with a hood , his pose and dress somehow recalling England , 1978 . that of
the child in the picture . ( Figure 13 ) These ... context in which the image is
encountered : by the pictures and text which surround it . We do not understand a
...
13 with a hood , his pose and dress somehow recalling England , 1978 . that of
the child in the picture . ( Figure 13 ) These ... context in which the image is
encountered : by the pictures and text which surround it . We do not understand a
...
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Inhalt
INTRODUCTION Maria Serena I Diokno | 5 |
AN ARCHAEOLOGICAL PROJECT | 27 |
Commentary Resil Mojares | 33 |
Urheberrecht | |
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