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Seite 170
However , Fujioka's critique of the war photographs goes far beyond correcting Chang's mistakes , and it is worth looking in some detail at his discussion , because it relates to profound problems of the nature of photographic truth .
However , Fujioka's critique of the war photographs goes far beyond correcting Chang's mistakes , and it is worth looking in some detail at his discussion , because it relates to profound problems of the nature of photographic truth .
Seite 172
wa , ichimai mo sonzai shina ) , Fujioka defines all the objects of his attack as being equally " faked " or " lying " photographs , and contrasts them with selected " true " photographs ( drawn from wartime Japanese magazines ) whose ...
wa , ichimai mo sonzai shina ) , Fujioka defines all the objects of his attack as being equally " faked " or " lying " photographs , and contrasts them with selected " true " photographs ( drawn from wartime Japanese magazines ) whose ...
Seite 174
Yamahata Yosuke's photographs by themselves tell us nothing about the causes of the atomic bombing of Hiroshima and Nagasaki , but they convey things that words alone cannot possibly express about the experience and aftermath of the ...
Yamahata Yosuke's photographs by themselves tell us nothing about the causes of the atomic bombing of Hiroshima and Nagasaki , but they convey things that words alone cannot possibly express about the experience and aftermath of the ...
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