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Seite 170
However , Fujioka ' s critique of the war photographs goes far beyond correcting
Chang ' s mistakes , and it is worth looking in some detail at his discussion ,
because it relates to profound problems of the nature of photographic truth .
Fujioka ...
However , Fujioka ' s critique of the war photographs goes far beyond correcting
Chang ' s mistakes , and it is worth looking in some detail at his discussion ,
because it relates to profound problems of the nature of photographic truth .
Fujioka ...
Seite 172
Tanaka paraphrases Fujioka ' s arguments under the heading “ Faked Versus
Authentic Photographs : A World of Difference " . The " authentic " photographs in
question come from the Asahi Newspaper ' s coverage of Nanking in December ...
Tanaka paraphrases Fujioka ' s arguments under the heading “ Faked Versus
Authentic Photographs : A World of Difference " . The " authentic " photographs in
question come from the Asahi Newspaper ' s coverage of Nanking in December ...
Seite 174
Yamahata Yosuke ' s photographs by themselves tell us nothing about the
causes of the atomic bombing of Hiroshima and Nagasaki , but they convey
things that words alone cannot possibly express about the experience and
aftermath of the ...
Yamahata Yosuke ' s photographs by themselves tell us nothing about the
causes of the atomic bombing of Hiroshima and Nagasaki , but they convey
things that words alone cannot possibly express about the experience and
aftermath of the ...
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Inhalt
INTRODUCTION Maria Serena I Diokno | 5 |
AN ARCHAEOLOGICAL PROJECT | 27 |
Commentary Resil Mojares | 33 |
Urheberrecht | |
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