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Seite 21
It became the only way of talking about the past , which was taken as the
darkness of an old society in contrast to the present brightness of Communist rule
. The narrative was thus officially channeled to devalue the past in order to praise
the ...
It became the only way of talking about the past , which was taken as the
darkness of an old society in contrast to the present brightness of Communist rule
. The narrative was thus officially channeled to devalue the past in order to praise
the ...
Seite 46
Certainly not intended for political propaganda , the film " Godzilla " nevertheless
captured the audience with an allegory of nuclear nightmares and became a
harbinger of tradition in Japanese mass culture that extended all the way to Akira
.
Certainly not intended for political propaganda , the film " Godzilla " nevertheless
captured the audience with an allegory of nuclear nightmares and became a
harbinger of tradition in Japanese mass culture that extended all the way to Akira
.
Seite 100
Ironically , this army ' s propaganda material became the bestselling evidence of
the atrocity 20 years later . But the more powerful account of the crime by the Thai
state in 1976 was presented in an exhibit visited by hundreds of thousands of ...
Ironically , this army ' s propaganda material became the bestselling evidence of
the atrocity 20 years later . But the more powerful account of the crime by the Thai
state in 1976 was presented in an exhibit visited by hundreds of thousands of ...
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Inhalt
INTRODUCTION Maria Serena I Diokno | 5 |
AN ARCHAEOLOGICAL PROJECT | 27 |
Commentary Resil Mojares | 33 |
Urheberrecht | |
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