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Seite 133
Hence , Pramoedya ' s criticisms of the colonial regime are also an attack on the
policies of the postcolonial Indonesian state . In the historically anachronistic
figure of Pangemanann , a high - ranking native civil servant who claims to be the
...
Hence , Pramoedya ' s criticisms of the colonial regime are also an attack on the
policies of the postcolonial Indonesian state . In the historically anachronistic
figure of Pangemanann , a high - ranking native civil servant who claims to be the
...
Seite 135
To reiterate , Pramoedya sees the nation as the vehicle for the freedom of the
Indonesian masses . True culture is national culture , which in honouring the
vitality of life , produces a literary reality that incarnates the national spirit in / as
the ...
To reiterate , Pramoedya sees the nation as the vehicle for the freedom of the
Indonesian masses . True culture is national culture , which in honouring the
vitality of life , produces a literary reality that incarnates the national spirit in / as
the ...
Seite 143
Pramoedya Ananta Toer Enters the 1980s , " Indonesia 32 ( 1981 ) : 1 - 15 . 5 "
My Apologies , " 4 . Cf . Pramoedya , " Literature , Censorship and the State , "
100 : “ As a writer , of course , I rebel against this kind of reality ( the oppression of
the ...
Pramoedya Ananta Toer Enters the 1980s , " Indonesia 32 ( 1981 ) : 1 - 15 . 5 "
My Apologies , " 4 . Cf . Pramoedya , " Literature , Censorship and the State , "
100 : “ As a writer , of course , I rebel against this kind of reality ( the oppression of
the ...
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Inhalt
INTRODUCTION Maria Serena I Diokno | 5 |
AN ARCHAEOLOGICAL PROJECT | 27 |
Commentary Resil Mojares | 33 |
Urheberrecht | |
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