Helvete: a Journal of Black Metal Theory, Ausgabe 1
Amelia Ishmael, Zareen Price, Aspasia Stephanou, Benjamin Graham Woodard
punctum books, 09.04.2013 - 134 Seiten
Issue 1 ("Incipit") of Helvete: A Journal of Black Metal Theory. Not to be confused with metal studies, music criticism, ethnography, or sociology, Black Metal Theory is a speculative and creative endeavor, one which seeks ways of thinking that count as Black Metal events - and indeed, to see how Black Metal might count as thinking. Theory of Black Metal, and Black Metal of theory. Mutual blackening. Therefore, we eschew any approach that treats theory and Metal discretely, preferring to take the left-hand path by insisting on "some kind of connaturality between the two, a shared capacity for nigredo."Issue 1: Incipit includes: Zareen Price, "Dilation: Editor's Preface" - Janet Silk, "Open a Vein: Suicidal Black Metal and Enlightenment" - Timothy Morton, "At the Edge of the Smoking Pool of Death: Wolves in the Throne Room" - Elodie Lesourd, "Baptism or Death: Black Metal in Contemporary Art, Birth of a New Aesthetic Category" - Amelia Ishmael, "The Night is No Longer Dead; it has a life of its own" [featuring artwork by: Alexander Binder, Gast Bouschet and Nadine Hilbert, Ibrahim R. Ineke, Alessandro Keegan, Irena Knezevic, Allen Linder, Gean Moreno, and Nine Yamamoto-Masson] - David Prescott-Steed, "Frostbite on My Feet: Representations of Walking in Black Metal Visual Culture" - Daniel Lukes, "Black Metal Machine: Theorizing Industrial Black Metal" - Joel Cotterell, "This is Armageddon: The Dawn Motif and Black Metal's Anti-Christian Project"
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
666 International aesthetic album artists artwork authenticity band become Black Metal theory blackened BM’s body Chow’s Christian Colt conceptual conﬂicts contemporary art context corpse paint cosmic culture darkness Darkthrone Dawn motif Dead death drive deﬁned deﬁnition Deleuze destruction détournement documentary Dodheimsgard Earth existence Fenriz ﬁeld ﬁgure ﬁnal ﬁnally ﬁnd ﬁrst ﬂow fucking Gaahl genre Giorgio Agamben Gorgoroth grey goo human humanity’s images imagination Industrial music inﬂuence Ingold inorganic Internal Punishment Programs J.G. Ballard Kill Kvarforth landscape Light Takes listening living Luciferian Luciferian Dawn machine world martyrs meaning mechanical Mishima modern musicians narrative nature Norwegian Black Metal November ofthe Soul nuclear one’s philosophical physical pool of death posthumanism reality Red Harvest reﬂects reﬂexive sacriﬁce satanic Satyricon’s scene science ﬁction signiﬁcance smoking pool space Star thought Throne Room trans True Norwegian Black University Press Untitled Vader Varg Vikernes Vikernes Vikernes’s walking Wolves word York Yukio Mishima