Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxiii
... word of God is of absolute and active power , in man's realm the word is more limited , and it is " soundless " in the " silent magic of things . " Man's dignity consists in mirroring God's absolute and creative word in “ names " on the ...
... word of God is of absolute and active power , in man's realm the word is more limited , and it is " soundless " in the " silent magic of things . " Man's dignity consists in mirroring God's absolute and creative word in “ names " on the ...
Seite 323
... word and name . In God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge ...
... word and name . In God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge ...
Seite 326
... word ; for God was the word . With this word in his mouth and in his heart , the origin of language was as natural , as close , and as easy as a child's game .... " Friedrich Müller , in his poem " Adam's Awakening and First Blissful ...
... word ; for God was the word . With this word in his mouth and in his heart , the origin of language was as natural , as close , and as easy as a child's game .... " Friedrich Müller , in his poem " Adam's Awakening and First Blissful ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing