Reflections: Essays, Aphorisms, Autobiographical Writings |
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Seite vii
... York ( 1968 ) , a matter of rescuing Walter Benjamin from near - oblivion and of
transforming what had been , in the late twenties and early thirties , a rumor
among the cognoscenti into an incisive challenge to our ossifying habits of
thought .
... York ( 1968 ) , a matter of rescuing Walter Benjamin from near - oblivion and of
transforming what had been , in the late twenties and early thirties , a rumor
among the cognoscenti into an incisive challenge to our ossifying habits of
thought .
Seite 199
Coarse thoughts have a special place in dialectical thinking because their sole
function is to direct theory toward practice . They are ... action can , of course , be
as subtle as thought . But a thought must be coarse to find its way into action .
Coarse thoughts have a special place in dialectical thinking because their sole
function is to direct theory toward practice . They are ... action can , of course , be
as subtle as thought . But a thought must be coarse to find its way into action .
Seite 236
And , in particular , convulsion of the diaphragm usually provides better
opportunities for thought than convulsion of the soul . Epic theater is lavish only in
occasions for laughter . It has perhaps struck you that the train of thought that is
about to ...
And , in particular , convulsion of the diaphragm usually provides better
opportunities for thought than convulsion of the soul . Epic theater is lavish only in
occasions for laughter . It has perhaps struck you that the train of thought that is
about to ...
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Nutzerbericht - jonfaith - LibraryThingWe can remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a better chance when one is shaken by laughter than when one’s mind is ... Vollständige Rezension lesen
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Marseilles | 137 |
Urheberrecht | |
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already appears become beginning Benjamin Berlin bourgeois Brecht called character close communication concept concerned course criticism dream ends entirely example existence experience expression face fact falls fate feeling finally forces function German give hand human idea individual interest kind Kraus language later lead less light linguistic literary living longer look Marxism matter means mind Moscow nature never night object once origin Paris passed perhaps person picture play political position possible present production proletarian question reason relation remain revolutionary Russian seemed seen side signs situation social speak sphere stands street strike struggle theater things thought tion true turn violence walls whole writing