Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 122
... signs attain . Only from an airplane does one have a view of the industrial élite of the city , the film and automobile industries . Mostly , how- ever , the roofs of Moscow are a lifeless wasteland , having neither the dazzling ...
... signs attain . Only from an airplane does one have a view of the industrial élite of the city , the film and automobile industries . Mostly , how- ever , the roofs of Moscow are a lifeless wasteland , having neither the dazzling ...
Seite 304
... signs , that for those able to perceive it ( who find an immediate knowledge of fate as such in themselves ) it is in some way present , or more cautiously stated , accessible . The supposition that some " acces- sibility " of future ...
... signs , that for those able to perceive it ( who find an immediate knowledge of fate as such in themselves ) it is in some way present , or more cautiously stated , accessible . The supposition that some " acces- sibility " of future ...
Seite 305
... signs because it is situated above the immediately visible level . The system of characterological signs is generally confined to the body , if we disregard the characterological significance of those signs in- vestigated by the ...
... signs because it is situated above the immediately visible level . The system of characterological signs is generally confined to the body , if we disregard the characterological significance of those signs in- vestigated by the ...
Inhalt
OneWay Street selection | 61 |
Moscow | 97 |
Marseilles | 131 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing