Reflections: Essays, Aphorisms, Autobiographical Writings |
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Seite 150
The social reason lies in the circumstance that the first photographers belonged
to the avant - garde and drew their clientele for the most part from it . Nadar ' s
advance over his professional colleagues is characterized by his undertaking to ...
The social reason lies in the circumstance that the first photographers belonged
to the avant - garde and drew their clientele for the most part from it . Nadar ' s
advance over his professional colleagues is characterized by his undertaking to ...
Seite 236
resolution , but only in their strictly habitual course , by reason and practice . To
construct from the smallest elements of behavior what in Aristotelian dramaturgy
is called " action " is the purpose of epic theater . Its means are therefore more ...
resolution , but only in their strictly habitual course , by reason and practice . To
construct from the smallest elements of behavior what in Aristotelian dramaturgy
is called " action " is the purpose of epic theater . Its means are therefore more ...
Seite 286
... fate might imperiously have shown itself in such a sentence . Reason must ,
however , attempt to approach such conditions all the more resolutely , if it is to
bring to a conclusion its critique of both lawmaking and lawpreserving violence .
... fate might imperiously have shown itself in such a sentence . Reason must ,
however , attempt to approach such conditions all the more resolutely , if it is to
bring to a conclusion its critique of both lawmaking and lawpreserving violence .
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Nutzerbericht - jonfaith - LibraryThingWe can remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a better chance when one is shaken by laughter than when one’s mind is ... Vollständige Rezension lesen
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Marseilles | 137 |
Urheberrecht | |
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already appears become beginning Benjamin Berlin bourgeois Brecht called character close communication concept concerned course criticism dream ends entirely example existence experience expression face fact falls fate feeling finally forces function German give hand human idea individual interest kind Kraus language later lead less light linguistic literary living longer look Marxism matter means mind Moscow nature never night object once origin Paris passed perhaps person picture play political position possible present production proletarian question reason relation remain revolutionary Russian seemed seen side signs situation social speak sphere stands street strike struggle theater things thought tion true turn violence walls whole writing