Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 208
... present - day humanity . Brecht tries to show their imprint in Kafka's work . He confines him- self chiefly to The Trial . There above all , he thinks , we find the fear of the unending and irresistible growth of cities . He claims to ...
... present - day humanity . Brecht tries to show their imprint in Kafka's work . He confines him- self chiefly to The Trial . There above all , he thinks , we find the fear of the unending and irresistible growth of cities . He claims to ...
Seite 304
... present within themselves , whereas the notion of analogously reading a person's fate from the lines in his hand seems unacceptable . This appears as impossible as " to predict the future " ; for under this category the foretelling of ...
... present within themselves , whereas the notion of analogously reading a person's fate from the lines in his hand seems unacceptable . This appears as impossible as " to predict the future " ; for under this category the foretelling of ...
Seite 308
... present ) . It is not an autonomous time , but is parasitically dependent on the time of a higher , less natural life . It has no present , for fate- ful moments exist only in bad novels , and past and future it knows only in curious ...
... present ) . It is not an autonomous time , but is parasitically dependent on the time of a higher , less natural life . It has no present , for fate- ful moments exist only in bad novels , and past and future it knows only in curious ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing