Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 74
... longer discern the contours of human personality . Every free man appears to them as an eccentric . Let us imagine the peaks of the High Alps silhouetted not against the sky but against folds of dark drapery . The mighty forms would ...
... longer discern the contours of human personality . Every free man appears to them as an eccentric . Let us imagine the peaks of the High Alps silhouetted not against the sky but against folds of dark drapery . The mighty forms would ...
Seite 172
... longer stand . How could anyone sleep in such rooms ? To be sure , there are beds , as many as the room will hold . But even if there are six or seven , there are often more than twice as many occu- pants . For this reason one sees ...
... longer stand . How could anyone sleep in such rooms ? To be sure , there are beds , as many as the room will hold . But even if there are six or seven , there are often more than twice as many occu- pants . For this reason one sees ...
Seite 234
... longer have any control and that is no longer , as they still believe , a means for the producers , but has become a means against the producers . " This theater , with its com- plicated machinery , its gigantic supporting staff , its ...
... longer have any control and that is no longer , as they still believe , a means for the producers , but has become a means against the producers . " This theater , with its com- plicated machinery , its gigantic supporting staff , its ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing