Reflections: Essays, Aphorisms, Autobiographical Writings |
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Seite 46
As lights on a foggy night have around them gigantic rings , my earliest theatrical
impressions emerge from the mist of my ... True , the source of the light , the
actual happening on the stage , I can no longer discern in so much luminous
haze .
As lights on a foggy night have around them gigantic rings , my earliest theatrical
impressions emerge from the mist of my ... True , the source of the light , the
actual happening on the stage , I can no longer discern in so much luminous
haze .
Seite 48
From the moon and the windows in the façades , however , the top layer of card
had been removed ; their contrasting white disrupted the picture , and one had to
hold it against a lamp or a candle to see , by the light of windows and a lunar ...
From the moon and the windows in the façades , however , the top layer of card
had been removed ; their contrasting white disrupted the picture , and one had to
hold it against a lamp or a candle to see , by the light of windows and a lunar ...
Seite 100
True , in the evening they switch on brighter lights than are permitted in any other
great city . And the cones of light they project are so dazzling that anyone caught
in them stands helplessly rooted to the spot . In the blinding light before the ...
True , in the evening they switch on brighter lights than are permitted in any other
great city . And the cones of light they project are so dazzling that anyone caught
in them stands helplessly rooted to the spot . In the blinding light before the ...
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Nutzerbericht - jonfaith - LibraryThingWe can remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a better chance when one is shaken by laughter than when one’s mind is ... Vollständige Rezension lesen
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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already appears become beginning Benjamin Berlin bourgeois Brecht called character close communication concept concerned course creation criticism dream ends entirely essay example existence experience expression face falls fate feeling finally forces function German give hand human idea important individual interest kind Kraus language later less light linguistic literary living longer look Marxism matter means mental mind moral nature never night object once origin Paris passed perhaps person picture political position present production proletarian question reason relation remain revolutionary Russian seemed seen sense side signs situation social speak sphere stands street strike theater things thought tion true turn violence walls whole writing