Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
Im Buch
Ergebnisse 1-3 von 44
Seite xx
... experience ) , Benja- min consistently relies on his topographical approach again , breaks up the city into its constituent components , and , mobilizing striking and precise metaphors , shows himself an absolute master of reading the ...
... experience ) , Benja- min consistently relies on his topographical approach again , breaks up the city into its constituent components , and , mobilizing striking and precise metaphors , shows himself an absolute master of reading the ...
Seite 93
... experience alone that we gain certain knowledge of what is nearest to us and what is remot- est to us , and never of one without the other . This means , however , that man can be in ecstatic contact with the cosmos only communally . It ...
... experience alone that we gain certain knowledge of what is nearest to us and what is remot- est to us , and never of one without the other . This means , however , that man can be in ecstatic contact with the cosmos only communally . It ...
Seite 189
... experience of freedom to the other revolutionary experience that we have to acknowledge because it has been ours , the constructive , dictatorial side of revolu- tion ? In short , have they bound revolt to revolution ? How are we to ...
... experience of freedom to the other revolutionary experience that we have to acknowledge because it has been ours , the constructive , dictatorial side of revolu- tion ? In short , have they bound revolt to revolution ? How are we to ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing