Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 255
... demon is drawn so powerfully by the abyss it represents . By the abyss that , not without reason , he finds most gaping where mind and sexuality meet - in the trial for sexual offenses- and has sounded in these famous words : " A sexual ...
... demon is drawn so powerfully by the abyss it represents . By the abyss that , not without reason , he finds most gaping where mind and sexuality meet - in the trial for sexual offenses- and has sounded in these famous words : " A sexual ...
Seite 258
... demon . Idle chatter is its true substance , and every feuilleton poses anew the insoluble question of the relationship between the forces of stupidity and malice , whose expression is gossip . It is , fundamentally , the complete ...
... demon . Idle chatter is its true substance , and every feuilleton poses anew the insoluble question of the relationship between the forces of stupidity and malice , whose expression is gossip . It is , fundamentally , the complete ...
Seite 260
... demon , of the lecture hall where he is alone with his work . 3. Monster Already the snow falls . -Words in Verse III Satire is the only legitimate form of regional art . This , how- ever , was not what people meant by calling Kraus a ...
... demon , of the lecture hall where he is alone with his work . 3. Monster Already the snow falls . -Words in Verse III Satire is the only legitimate form of regional art . This , how- ever , was not what people meant by calling Kraus a ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing