Reflections: Essays, Aphorisms, Autobiographical Writings |
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Seite 116
Yet always a symbol of the " bourgeois . ” It is one of the crude stage sets with the
aid of which , for propaganda purposes , a grotesque image of the bourgeois type
is constructed . In reality the image is often merely ridiculous , the discipline ...
Yet always a symbol of the " bourgeois . ” It is one of the crude stage sets with the
aid of which , for propaganda purposes , a grotesque image of the bourgeois type
is constructed . In reality the image is often merely ridiculous , the discipline ...
Seite 236
Commune circulated a questionnaire : " For whom do you write ? ” I quote from
the reply of Réne Maublanc and from the comment added by Aragon . “
Unquestionably , " says Maublanc , “ I write almost exclusively for a bourgeois
public .
Commune circulated a questionnaire : " For whom do you write ? ” I quote from
the reply of Réne Maublanc and from the comment added by Aragon . “
Unquestionably , " says Maublanc , “ I write almost exclusively for a bourgeois
public .
Seite 270
Man as member of bourgeois society , " writes Marx , " the unpolitical man ,
necessarily appears as the natural man . . . . Political revolution dissolves
bourgeois life into its component parts without revolutionizing or criticizing these
components ...
Man as member of bourgeois society , " writes Marx , " the unpolitical man ,
necessarily appears as the natural man . . . . Political revolution dissolves
bourgeois life into its component parts without revolutionizing or criticizing these
components ...
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Nutzerbericht - jonfaith - LibraryThingWe can remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a better chance when one is shaken by laughter than when one’s mind is ... Vollständige Rezension lesen
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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already appears become beginning Benjamin Berlin bourgeois Brecht called character close communication concept concerned course creation criticism dream ends entirely essay example existence experience expression face falls fate feeling finally forces function German give hand human idea important individual interest kind Kraus language later less light linguistic literary living longer look Marxism matter means mental mind moral nature never night object once origin Paris passed perhaps person picture political position present production proletarian question reason relation remain revolutionary Russian seemed seen sense side signs situation social speak sphere stands street strike theater things thought tion true turn violence walls whole writing